Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. Almost too brutally honest, it seemed like the final flaring of a dying star. Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. One includes Australian artists John Olsen, and John Coburn examining Whiteley's Archibald prize-winning entry. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. 232-243, Sydney, 2000, 232 (colour illus.). Having attained the height of success, he realised that from this pinnacle the only way is down. The exhibition includes 20 Whiteley works and traces the artist's life and career from his earliest painting Self Portrait at Sixteen, 1955 to just a few months before his death with Port Douglas, Far North Queensland 1992. and their inevitable separation added to the artist's problems with substances and self-doubt. No other Australian artist had such a wild, woolly set of curls. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. . David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. From $33.34. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett whiteley's self portrait in the studio was a realism painting and stretch the definition of portraiture. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. IMAGE CREDIT: Brett Whiteley (1939-1992) Self portrait drawing calligraphically 1975. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). This appeared in the `Arts' section of `The Australian Supplement'. I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. Do you feel welcomed or uncomfortable? 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Signed and dated l.r., black ink "brett whiteley/ 1975-76/ ". The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Balmoral Brett Whiteley 1978. These are amongst the most prestigious art prizes in Australia. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. . The second painting has a completely different tone. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. Year. cat.no. You entered the wrong email. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. An amazing man. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. card no. Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. 15 Jun 1992. The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). It premiered at the Sydney Opera House on 15 July 2019. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. 61-85, Sydney, 2005, 76 (colour illus. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. From $32.10. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. 174-195, Oxford, 2001, 190 (colour illus.). This approach was intended to allow Whiteley to speak "in his own words" about his life and art. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. On one level TheCompanion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. 87-118, Sydney, 1991, 115 (colour illus.). Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 648-49 (colour illus.). This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. 1 whit.jpg. plate no. His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). 2023 John McDonald. He believed that many of his ideas came from these experiences, and he often used drugs as a way of bringing the ideas from his subconscious. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Scholarly publications with full text pdf download. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. 15-41, London, 1995, 35, 165 (colour illus. Critique of Whiteley. He is represented in the collections of all the large Australian . 30.5 x 25.5 cm In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. The artist destroyed this work after completion, finding it both disturbing and confronting. [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. See opening hours In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. 176-181, Sydney, 1984, 176, 177 (colour illus.). At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. His wife Wendy appears as "Delish". morning, Available for everyone, funded by readers. 9-13, Cammeray, (1995-1996), 9-13. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. 9 (verso) in education pack. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. 201-202, North Ryde, 2010, 202 (colour illus.). Mervyn Horton (Editor), Art and Australia [vol. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. David Freeman will direct and Tahu Matheson will conduct. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Imagine an ideal studio space that would help you to create art. Collage these images together to create a portrait to display in class. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. They had borrowed the money, using their car as collateral. Shop today! Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. Self-portrait with reading specs, 1991. Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). Brett Whiteley. BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. oil and hair on canvas 15 Jun 1992. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. 9. 45. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. This appeared in the `Arts' section of `The Australian Supplement'. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Telephone (02) 9225 1734 or 0414 437 588. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. Gift of Patrick Corrigan AM 2004. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. 5, Sydney, 07 Jul 1992, 5. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. List of works . Anna Waldmann, Art and Australia (Vol. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. 12, Sydney, Oct 2006, 12 (colour illus.). That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. Construct a self-portrait by layering images of these personal symbols. A photograph of a youthful Brett Whiteley also accompanies this article. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. 28-29, Sydney, Mar 2012, 28, 29 (illus.). Catalogue text. 13: Brett Whiteley 'Self portrait in the studio' 1976. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . ), 231. plate no. Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. An astonishing exhibition. In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. 9, Sydney, 07 Sep 2013, 9. Portraiture shouldnt just be paint and canvas. Greg Weight on working with Jiawei Shen, and starting out as a photographer. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. . Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. (age36in1975). ), 21. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Fields marked with an asterisk (*) are required. List of journal articles on the topic 'Stanley Press (Firm)'. 15, Sydney, 29 Jun 1997, 15 (illus.). There are portraits of Vincent van Gogh, Paul Gauguin, Charles . Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). 100-111, London, 1998, 108 (colour illus.). He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. plate no. I think he has done this to make the place seem more realistic because if he had . His work was not always being praised by critics, although its market value continued to climb. The balcony 2 Brett Whiteley 1975 116.1981. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. 102-181, Sydney, 1999, 167 (colour illus.). This website comprises and contains copyrighted materials and works. 22.). The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). ), 198, 209 (illus.). The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). Lou Klepac, Brett Whiteley Drawings (2013). 81-82, Port Melbourne, 1998, 82 (colour illus.). unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. There are two illustrations of `Self Portrait in the Studio' in this article. [24] The paperback, featuring a new cover, was released in 2017. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. Deborah Bogle, The Australian, 'Art Movement', pg. Terry Ingram discusses current art market, and valuation of Whiteley's work. Their only child, daughter Arkie Whiteley, was born in London in 1964. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. 20, No. He started drawing at a very early age. [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. Create a self-portrait that reflects your emotional state. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. 44-45, Sydney, Jun 2012, 45 (colour illus.). [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. Brett Whiteley Studio Collection. 9. ), 24. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). 2023 Guardian News & Media Limited or its affiliated companies. card no. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010, (colour illus.). Donated through the Australian Government's Cultural Gifts Program. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. Self portrait in the studio 1976 Like many other A day at Bondi Brett Whiteley . Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. He won the Wynne Prize again, in 1984, with The South Coast after rain. 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. Unresolved: Release in which this issue/RFE will be addressed. Look at this beautiful house and wonderful pictures and things. Closed Good Friday & Christmas day Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an BRETT WHITELEY. Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16.
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